Recorded: 2015-03-22
Presto 未列出分轨。
阿尔班・格哈特以回归乐谱本源的克制诠释,为这两部经典大提琴协奏曲提供了耳目一新的文本解读。
这是阿尔班・格哈特首张录音室专辑,携手安德鲁・曼泽与 WDR 交响乐团演绎埃尔加与大提琴协奏曲。演奏者主张回归乐谱文本,挑战传统演绎惯例, tempos 与比例均与常规不同,力求贴近作曲家原始指令。这种直率且拒绝过度感伤的诠释,虽与杜普蕾等前辈风格迥异,但能挖掘出埃尔加细致标记中的新意。曲目涵盖埃尔加四乐章及德沃夏克三乐章,为寻求不同视角的听众提供了值得关注的版本。
Alban Gerhardt’s first studio recording of the two most famous concertos in the entire cello repertoire represents the fruit of 35 years of kinship with these masterpieces. Bolstered by the forces of the WDR Sinfonieorchester under Andrew Manze, Gerhardt offers interpretations which challenge inherited conventions and, in Gerhardt’s words, make a ‘return to the sources: the scores themselves’, prompting the question: should we consider anew what is the ‘correct’ approach of playing these works? His adherence to the text often leads to tempos and proportions that differ noticeably from the norm, which Gerhardt says feel both more alive and closer to the detailed musical instructions left by each composer. In this context, Gerhardt quotes Gustav Mahler: ‘Tradition must not be the adoration of ashes but the preservation of fire.’
作曲家 Elgar & Dvořák
演奏家 Alban Gerhardt (cello) · WDR Sinfonieorchester Köln · Andrew Manze
Presto 未列出分轨。
演奏家 Alban Gerhardt (cello) · WDR Sinfonieorchester Köln · Andrew Manze
Presto 未列出分轨。
演奏家 Alban Gerhardt (cello) · WDR Sinfonieorchester Köln · Andrew Manze
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当前置信度为 95%,只表示资料和推荐依据的完整度, 不是星级,也不是对演奏或录音质量的审美评分。