Sir John Falstaff, Op. 60
43:14演奏家 Rundfunk-Sinfonieorchester Berlin · Jonathan Stockhammer
从莎士比亚笔下的福斯塔夫进入胡戈·卡恩的晚期浪漫主义交响世界。
卡恩结束美国之旅返回欧洲后,先以《在原始森林》两部交响诗记录异域经历,随后转向人物刻画:1905 年完成的《约翰·福斯塔夫》将莎士比亚《温莎的风流娘儿们》中这位魅力非凡的酒友,与梯尔·欧伦施皮格尔、麦克白、堂吉诃德等文学英雄并列。五年后完成的《第二交响曲》规模宏大,展现了他对晚期浪漫主义管弦乐色彩的娴熟掌控。专辑由 CPO 发行,录制于 2026 年,是进入卡恩较少被录音的交响作品的一个入口。
After Hugo Kaun had finished his American adventure and returned to the Old World, he first set about transforming the exotic events into the two symphonic poems that have been in our catalog since the end of 2023 under the title "Im Urwald". While he soon rose to become one of the most highly regarded German composers (primarily thanks to his striking works for male choirs), he turned his attention to programmatic characterization once again: Sir John Falstaff, the incomparable charmer from William Shakespeare's Merry Wives of Windsor and drinking companion of the future King Henry V, was given a well-deserved place in 1905 in the musical gallery of famous literary heroes alongside Till Eulenspiegel, Macbeth, Don Quixote, Don Juan and Zarathustra, to whom he does credit from his first broad-tracked appearance. Moreover, it prepares the listener excellently for the mighty Second Symphony, which was completed five years later - another testimony to an orchestral tamer who had a commanding command of the late Romantic palette.
演奏家 Rundfunk-Sinfonieorchester Berlin · Jonathan Stockhammer
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