Kammermusik No.1 with Finale 1921, Op.24 No.1 for 12 instruments
15:04演奏家 Royal Concertgebouw Orchestra · Riccardo Chailly
从兴德米特《室内乐》系列进入新古典主义与晚期浪漫主义的对话。
兴德米特的《室内乐》系列始于 1921 年,是对此前德国表现主义音乐强烈情感主义的反叛,持续至 1927 年,此后他开始调整和声与表现手法。这套作品带有德国口音的新古典主义风格,对沃尔顿、普罗科菲耶夫、肖斯塔科维奇和布里顿等人产生间接影响。音乐本身极具趣味,兴德米特将不同风格并置,依靠个性防止混乱。夏伊召集的演奏家阵容充分享受这些细节。
Hindemith's series of Kammermusik ('Chamber Music') began in 1921 as an iconoclastic response to the hyperintense emotionalism of German Expressionist music over the previous 15 years. It continued until 1927, at which point he began to rationalise the harmonic and expressive foundations of his style. This, then, is neo-classicism with a German accent; as such it was to be a vital force in sweeping away the cobwebs of late romanticism; Walton, Prokofiev, Shostakovich and Britten were among those who, however indirectly, would feel the benefit. The music is also immensely enjoyable in its own right. Hindemith cheekily throws together disparate idioms and sheer force of personality is all that guards against anarchy. All this is done with more than half an eye on the performers' enjoyment of recreation, and the fine array of artists assembled by Chailly savour every detail. Recording quality is exemplary.
演奏家 Royal Concertgebouw Orchestra · Riccardo Chailly
演奏家 Royal Concertgebouw Orchestra · Riccardo Chailly
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演奏家 Royal Concertgebouw Orchestra · Riccardo Chailly
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演奏家 Ronald Brautigam (piano) · Royal Concertgebouw Orchestra · Riccardo Chailly
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演奏家 Sehr lebhafte Achtel · Sehr langsame Achtel
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演奏家 Lynn Harrell (cello) , Leo Van Doeselaar (organ) · Royal Concertgebouw Orchestra · Riccardo Chailly
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演奏家 Sehr ruhige und gemessen schreitende Viertel
演奏家 Konstanty Andrzej Kulka (violin) · Royal Concertgebouw Orchestra · Riccardo Chailly
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演奏家 Kim Kashkashian (viola) · Royal Concertgebouw Orchestra · Riccardo Chailly
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演奏家 Norbert Blume (violadamore) · Royal Concertgebouw Orchestra · Riccardo Chailly
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演奏家 Royal Concertgebouw Orchestra · Riccardo Chailly
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